Cannes är en stad belägen vid Franska Rivieran i södra Frankrike. Staden är känd för sin årliga filmfestival, som är en av världens mest prestigefyllda filmfestivaler. Under festivalen visas nya filmer från hela världen och många kändisar och filmstjärnor besöker staden under festivalveckan. Cannes är också känt för sina lyxiga hotell, fina stränder och vackra hamn.
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Hon har vunnit jurypris vid Cannes filmfestival och är nu bioaktuell med nya filmen ”Den svenska torpeden” om simlegendaren Sally Bauer. Men Frida Kempff och producentmaken Erik Andersson är också nyblivna Limhamnsbor och hoppas nu kunna hjälpa till att bygga Malmö som filmstad.
Halfdan Ullmann Tøndels regidebut har både prisats i Cannes och utsetts till årets norska Oscarsbidrag. Ett känslomässigt maratonlopp där Renate Reinsve får fritt utlopp för sin sanslösa begåvning, skriver Helena Lindblad.
Som liten tillbringade han varje sommar på morfars karga ö i Östersjön. När Bergmanveckan nu firar 20-årsjubileum är Halfdan Ullmann Tøndel tillbaka på Fårö som hedersgäst. Nicholas Wennö har träffat det norska superkulturbarnet som vann debutpriset i Cannes med ”Armand”. Ett psykodrama som kretsar kring sexuella avvikelser, trauma, våld och mörka familjehemligheter.
Två veckor efter den bejublade premiären i Cannes har den svensk-iranske regissören Ali Abbasis film om Donald Trump, ”The apprentice”, fortfarande inte fått någon distribution i USA, skriver Variety.
CANNES. Sean Bakers moderna Askungesaga ”Anora” med sexarbetare och ryska oligarker vann Guldpalmen på den 77:e filmfestivalen i Cannes. Ingmar Bergmans barnbarn, Halfdan Ullmann Tøndel, vann pris för bästa debutfilm för psykodramat ”Armand” med Renate Reinsve.
Cannes. Årets hetaste Guldpalmskandidater har alla en tydlig feministisk udd. Starkast av dem alla är iranska ”The seeds of the sacred fig”, skriver Nicholas Wennö inför lördagskvällens prisutdelning i Cannes.
CANNES. Trumps advokater har skickat ett skriftligt varningsbrev i ett försök att stoppa ”The apprentice” i USA. Men producenterna bakom Ali Abbasis film vägrar fortfarande att vika ner sig. ”Ett rättvist och balanserat porträtt”, svarar producenterna.
Det känns nästan som en tanke att ”The apprentice” tävlar i Cannes, samtidigt som den första festivalveckan präglades av den metoo-rörelse som nu har blossat upp på allvar i den franska filmindustrin.
Cannes. Efter en dramatisk flykt från Iran kom dissidentregissören Mohammad Rasoulof till Rivieran för världspremiären av ”The seed of the sacred fig”. Handlingen kretsar kring en familj som slits isär i samband med den iranska protestvågen efter Mahsa Jina Aminis död 2022.
Cannes. Filmfestivalen går mot sitt slut och den glammiga prisgalan närmar sig. DN:s Kerstin Gezelius ser regissörer brottas med tidsandans demoner och inte sällan åka på stryk, nybörjarna vara superproffs och proffsen gör överhettade nybörjarfel. Om hon får välja går årets Guldpalm gärna till Kina.
Welcome to Cannes, the glamorous jewel of the French Riviera! In this video, we'll take you on a virtual tour of the top 10 ...
Cannes, a glamorous city on the French Riviera, is world-renowned for its international film festival that attracts celebrities and ...
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There was no red carpet, no Palme d’Or, and no Palais des Festivals - but Hollywood nonetheless descended on the French Riviera for the opening of the first Cannes Film Festival on 20th September, 1946. It was actually the second time the event had been attempted - the first, in September 1939, was interrupted by the outbreak of the Second World War.In this episode, Arion, Rebecca and Olly explain how the competition was conceived as a rebuke to fascist propaganda scooping top prizes at the world’s first film festival, Venice; reveal why Hitchcock’s ‘Notorious’ never stood a chance after its disastrous debut screening; and consider the ‘Raoul!’ meme that has persisted at Cannes festivals for more than fifty years… Further Reading:• ‘Cannes Film Festival: See Vintage Photos of the First-Ever Fest’ (Time, 2015): https://time.com/3843724/first-cannes-history/• ‘The first Cannes Film Festival : September 1946’ (Numero, 2020): https://www.numero.com/en/cinema/cannes-film-festival-second-world-war-september-1946-michelle-morgan-alfred-hitchcock-the-battle-of-the-rails• ‘Cannes Film Festival’ (British Movietone, 1946): https://www.youtube.com/watch?v=_ceQplqpBkgFor bonus material and to support the show, visit Patreon.com/RetrospectorsWe'll be back tomorrow! Follow us wherever you get your podcasts: podfollow.com/RetrospectorsThe Retrospectors are Olly Mann, Rebecca Messina & Arion McNicoll, with Matt Hill.Theme Music: Pass The Peas. Announcer: Bob Ravelli. Graphic Design: Terry Saunders. Edit Producer: Sophie King.Copyright: Rethink Audio / Olly Mann 2022. Hosted on Acast. See acast.com/privacy for more information.
As a film programmer, Aurélie depended on going to the legendary Cannes Film Festival. But when she had her first child, she realized attending Festivals with a baby would be nearly impossible and she wondered, could anything be done to help working families? A transcript of this episode is available at https://podcast.duolingo.com/french.
This week, Kohn and Thompson examine the recent announcement of the 2015 Cannes Film Festival lineup while also delving into bigger questions surrounding the purpose of film festivals as a whole, the increasing role of television and a whole bunch of other issues. They also tackle another round of leaked Sony e-mails and discuss some of this week's new releases. Learn more about your ad choices. Visit megaphone.fm/adchoices
Cannes 2023 is here—and as news of standing ovations and walkouts, throwaway raves and pans, spit takes and hot takes flood the feed, we’ll be reporting on all the cinematic goings-on, with our on-the-Croisette crew of Film Comment contributors ready to cut through the noise with a series of thoughtful dispatches, interviews, and podcasts. On today’s episode, FC co-deputy editor Devika Girish is joined by Dennis Lim, Artistic Director of the New York Film Festival, for a special joint interview with Todd Haynes, whose new film, May December, is one of the unanimous favorites of this year’s lineup. The film was inspired by one of the great scandals of the 1990s: Julianne Moore plays Gracie, a woman who, twenty years ago, was convicted of having an affair with a 13-year-old, a lover (played by Charles Melton) with whom she now lives a cozy married life. Natalie Portman plays an actress who arrives at Gracie’s home to do research for a movie based on the affair and starts probing into the couple’s lives, slowly pulling down bother both their and her own façades. Haynes turns the tabloid-fodder source of the script into a remarkably witty, dark, and intelligent meditation on the ways in which we construct and consume identity. Devika and Dennis talked to Haynes about his references for the movie, his thoughts on the term camp, why he loves zooms, and much more. Subscribe to the Film Comment Letter today for a steady stream of Cannes coverage, providing everything you need to know about the 2023 edition: www.filmcomment.com/newsletter-sign-up/
Sean and Amanda come to you live (on tape) from Europe! They recap their journeys, discuss the hype out of the Cannes Film Festival (1:00), and share five new movie recommendations (17:00). Then, Sean is joined by Julia Louis-Dreyfus and Nicole Holofcener, the star and the writer-director, respectively, of the new film ‘You Hurt My Feelings’ (58:00).Hosts: Sean Fennessey and Amanda DobbinsGuests: Julia Louis-Dreyfus and Nicole HolofcenerProducer: Bobby Wagner Learn more about your ad choices. Visit podcastchoices.com/adchoices
Richard and Rebecca call in from Cannes to share the films they're most excited about — and, of course, which ones might be the most likely to be part of this year's Oscar race. Plus, a discussion about David's report on the push for gender-neutral acting awards, and why it's worth the fight.Follow us on Twitter and Instagram @vfawardsinsiderEmail us at littlegoldmen@vf.comFollow our hosts: @kateyrich, @rilaws, @beccamford, @davidcanfield97 Our editor and producer is Brett Fuchs.
It’s another live episode, recorded at The Old Selfridges Hotel in collaboration with Google Pixel 2. Dolly’s hungover, Pandora’s no longer pregnant - so some things have changed since our last live episode; but some things have stayed the same.We discuss Georgina Chapman’s first ever interview about her ex-husband Harvey Weinstein in US Vogue, 5 months after allegations broke, triggering MeToo. Was this the right outlet for fashion designer Georgina, to give this interview? Is it a PR move? Did she know? And most importantly: why are innocent women seen as the accomplice of guilty men?In lighter news, we also discuss the Cannes Film Festival’s selfie ban and why you cannot stall a content creator.E-mail us thehighlowshow@gmail.com or tweet us @thehighlowshowLinksGeorgina Chapman on Life After Harvey Weinstein, by Jonathan Van Meter for US Vogue https://www.vogue.com/article/georgina-chapman-life-after-harvey-weinsteinWho Is Anna Winter Asking Us to Forgive, In Her Editor’s Letter? By Stella Bugbee for The Cut https://www.thecut.com/2018/05/anna-wintour-asks-us-to-forgive-in-her-editors-letter.htmlThe Defiant Ones, on Netflix https://www.netflix.com/title/80214552The Break Up Episode, by Guys We Fucked podcast https://soundcloud.com/guyswefucked/gwf-breakup-episode-finalHey Ladies, by Call Your Girlfriend podcast http://www.callyourgirlfriend.com/episodes/#/hey-ladies/ Hosted on Acast. See acast.com/privacy for more information.
In this week's episode, Kohn and Thompson are joined by Indiewire managing editor Nigel Smith from the Cannes Film Festival, where the trio discuss some of the highlights of the program so far. Learn more about your ad choices. Visit megaphone.fm/adchoices
Glitz and glamour are the name of the game in this episode of the Coffee Break French Magazine as we head to the south of France for the Cannes Film Festival. In our text we'll find out more about the interesting origins of this key event in the international cinematic calendar, and we'll also tackle listener Sophie's question about ce,ceci, cela and ça, and Susie shares a quote from Jean Cocteau about the French Riviera.There will be a total of 10 episodes in Season 1 of the Coffee Break French Magazine. If you'd like to benefit from lesson notes, transcripts, vocabulary lists and exercises, you can access the premium version of the Magazine on the Coffee Break Academy.Don't forget to follow Coffee Break French on Facebook where we post language activities, cultural points and review materials to help you practise your French. Remember - a few minutes a day can help you build your confidence in the language. Access the Coffee Break French Facebook page here.If you'd like to find out what goes on behind the scenes here at Coffee Break Languages, follow @coffeebreaklanguages on Instagram, and check out our videos for language learners on our YouTube channel.Find out everything you need to know about Coffee Break French at http://coffeebreakfrench.com Hosted on Acast. See acast.com/privacy for more information.
Every year in May, film stars and fans flock to the French city of Cannes for a 10-day celebration of cinema, or as it’s referred to in the host country, “the seventh art”. This year though, the festival the festival will take place on May 1th to 27th 2023 Already at the time of recording there have been a number of attention-grabbing moments, including a hero’s welcome for Tom Cruise, who received an honorary Palme d’Or, a fly past from the French air force, an unexpected video message from Ukrainian president Volodymyr Zelensky and a topless protester storming the red carpet to highlight sexual violence against women in Ukraine. Why does it stand out so much from other events in France? How does the official competition work? What about the other films that aren’t part of the official selection? In under 3 minutes, we answer your questions ! Date of first release : 28 mai 2022 To listen to the last episodes, you can click here : What is the great unretirement? Is the five second rule a real thing? Why are barcodes set to disappear? A podcast written and realised by Joseph Chance. In partnership with upday UK. Learn more about your ad choices. Visit megaphone.fm/adchoices
France Cannes Film Festival --- Send in a voice message: https://podcasters.spotify.com/pod/show/andrea-lashea/message Support this podcast: https://podcasters.spotify.com/pod/show/andrea-lashea/support
On this week's episode, The Film Society looks back at last month's Cannes Film Festival which awarded Jacques Audiard’s DHEEPAN with the Palm d'Or. Part one features a Film Comment roundtable in which critics Alexander Horvath (Vienna Film Museum), Charlotte Garçon (Paris), Scott Foundas (Variety), Anton Dolin (Evening Moscow), and Gavin Smith (Film Comment) discuss the best and worst of the festival. Part two features a conversation between Film Society Deputy Director Eugene Hernandez and director Jonas Carpignano, whose film MEDITERRANEA screened in the festival’s critics week sidebar. The podcast is brought to you by The Film Society of Lincoln Center. Film Lives Here. www.filmlinc.com 00:00 - 02:55 - Intro 02:55 - 32:30 - Film Comment Roundtable 33:05 - 33:52 - Jonas Carpignano Intro 33:52 - 52:18 - Jonas Carpignano Interview
The Cannes Film Festival is ground zero for a weaponized A.I. device…and Special Agent Chet Phillips is on a job interview.Written and Directed byJ. Michael DeAngelisStarringChris Klaniecki as Skip GrangerNazli Sarpkaya as Mackenzie McGrathDave Stanger as Bowden MontcriefPaige Klaniecki as Gloria KovakFaith Dowgin as Section Chief Zelda Anderswith Kirk White as Chet Phillipsand Katerina McGrath as The Mission VoiceAlso StarringAshley Banks as Athena O’BrienJill Ivey as Child Star and Annie Wilmontand Bob Killion as Newscaster Steve, Gary, and The AdmiralGuest StarringDavid S. Dear as Terry MillionaireDave Serfass as Pierre John Dowgin as Marcus CarolsJ. Michael DeAngelis as David Lynch and Davin FordEric Werner as Balthazar MontcriefPete Barry as Cafe Silencio Host A complete transcript of this episode is available here.Music by Pete BarrySound Editing and Mixing by John DowginCreated and Produced byPete Barry, J. Michael DeAngelis, and John DowginFor a complete list of sound effect credits, please see the episdoe's webpage.